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Tuesday, February 26, 2013
Saturday, February 23, 2013
THE COMMISHY REPORT
Hello fellow Mt Gayans. Today we have a slightly disturbing story to report on. While at the SEXnCHESS after party I stumbled upon this lighthearted conversation...
11:51:55 PM
Commishy:
ppl tipped her all fucking nite ! and she went private!!
11:52:07 PM
Kenorion77:
I ONLY DO TRUE PVT
11:52:08 PM
flockofmeag:
you guys
11:52:26 PM
Commishy:
get a clue losers
11:52:41 PM
Tyco21:
THANKS FOR YOUR AMAZING INSIGHTS COMMISHY
11:52:56 PM
ForNothin:
keep the Commishy comments comin'
keep the Commishy comments comin'
11:53:06 PM
HappyTrexxy:
CAN YOU DO A QUICK SPY COMMISHY?
11:53:07 PM
HonestlySrsly:
How much did you tip tonight Commishy?
11:53:11 PM
HappyTrexxy:
DID SHE TAKE HER CLOTHES OFF?
11:53:13 PM
Commishy:
4 nothing u sag faggot
11:53:15 PM
Tyco21:
I WONDER IF COMMISHY HAS TO WEAR A HELMET WHEN USING THE INTERNET
11:53:21 PM
HonestlySrsly:
Trexxy doesn't want to spy if she's naked at all
11:53:32 PM
Commishy:
hs like 150 tokens
11:53:37 PM
HappyTrexxy:
DON'T WANNA RISK ANYTHING HS!
11:53:43 PM
ForNothin:
could get an STD
11:53:50 PM
HonestlySrsly:
So we can call you a loser too Commishy!
11:53:59 PM
Tyco21:
DO YOU REALLY WANT HEPATITIS B?
11:54:01 PM
Klytus:
rarely gets naked. your fault for tipping, commishy
11:54:13 PM
tednugent37:
wtf did this commishy come from, fucking kid
11:54:17 PM
Commishy:
hs ..youd prolly not last long in real life
11:54:28 PM
Tyco21:
WE LET HIM STAY IN THE ROOM FOR THE LULZ, TED
11:54:28 PM
RonBurgundy33:
someone is getting some
11:54:33 PM
RonBurgundy33:
umadcommishy
11:54:42 PM
SebstianBach:
And Tyco... come on dude... every one spending his friday night here and spending money to a "virtual friend" is lame...
11:54:43 PM
loverecords3:
what's happening in private?
11:54:46 PM
HappyTrexxy:
WHY IS HS BEING SUCH AN ASS ALL OF A SUDDEN?
11:54:53 PM
meadski123:
Ehhh so she doesn't need to get naked. that's what porn is for. I think
it's cooler to actually talk to her than beat it to her. hahaha
11:55:05 PM
Commishy:
i dont count like 500 the last 5 days
11:55:05 PM
HappyTrexxy:
AND WHY IS EVERYONE CALLING HIM COMMISHY!?
11:55:06 PM
HonestlySrsly:
All of a sudden?! and ME?! You ruined weatherman's dreams Trexxy
11:55:14 PM
HonestlySrsly:
11:55:18 PM
tednugent37:
tyco, oh, likea big fucking joke,, now i get it
11:55:20 PM
Tyco21:
I agree SebstianBach, but shit happens so fucking enjoy it
11:55:26 PM
Tyco21:
Exactly, Ted
11:55:46 PM
HappyTrexxy:
IT'S SATURDAY MORNING SEBASTIAN!
11:55:51 PM
ForNothin:
commishy has a need to be hated
11:55:57 PM
ForNothin:
11:56:10 PM
ryger:
commishy feeds off the hate
11:56:11 PM
RonBurgundy33:
commishy you gotta risk it to get the biscuit
11:56:12 PM
Commishy:
4 nothing your a faggot
11:56:16 PM
Commishy:
loser
Tuesday, February 12, 2013
ENTRY #16
HELLO FRIENDS,
WE HAVE NOW PASSED 20,000+ VIEWS (I CALL THEM VIEWS BECAUSE SOMETIMES I JUST STARE AT THE PICTURES WITHOUT TRYING TO READ THE WORDS).
AS WE ALL KNOW, FEBRUARY IS THE LONGEST MONTH OF THE YEAR, AND AS SUCH, WE ESPECIALLY NEED YOUR SUPPORT IN THESE TIMES OF NEED.
INFORMATION FOR GUESTS:
WANT TO CONTRIBUTE TOKENS TO THE SHOW FOR FREE? NOW YOU CAN! EVEN IF YOU ARE A GUEST, ALL YOU HAVE TO DO IS ACCESS MFC BY COPYING AND PASTING THE FOLLOWING:
http://www.myfreecams.com/?baf=6906991
FROM HERE, ALL YOU HAVE TO DO IS CLICK "Create a Free Account." AS EVIDENCED BY THE WORD "FREE", THIS IS VERY FREE AND ALSO SUPPORTS MOUNT GAY FINANCIALLY. THANK YOU FRIENDS.
ON A MORE GREGARIOUS NOTE, PLEASE DO NOT ABUSE THIS SYSTEM BY MAKING TONS AND TONS OF BASIC ACCOUNTS USING THIS METHOD. THIS IS MEANT ONLY FOR FRIENDS OF MOUNT GAY, SO HOPEFULLY WE CAN TURN ALL YOU GUESTS INTO BASICS. PLEASE DO NOT SPAM THIS CODE. IF YOU'VE LEARNED ANYTHING FROM THIS ROOM, WE HATE SPAM.
SPAM = BAN (wow rhyme?)
ANYWAYS, FRIENDS, PLEASE DO NOT ABUSE THIS PRIVILEGE THAT WE HAVE GIVEN YOU TO CONTRIBUTE. FRIENDS? FRIENDS? OH GOD THE BLOOD. THERE IS SO MUCH OF IT OH GOD WOW SOOO DEEEP SOOO GOOOD MMMM PAPER.
IN THE WORDS OF THE DALAI LAMA, "FUCK ALL RULES, I WANT TO FUCKING RAGE FOR FUCKS SAKE."
http://www.myfreecams.com/?baf=6906991
Thursday, February 7, 2013
ENTRY #15
WHAT IS REGGAETON? LET'S FIND OUT!
NO, THIS IS NOT COPY+PASTED (unverified).
Reggaeton (pron.: /ˌrɛɡeɪˈtoʊn/ or UK /rɛɡeɪˈtɒn/) is an urban form of music which has its roots in Latin and Caribbean music. Its sound derives from the Reggae en Español from Panama. The genre was invented, shaped and made known in Puerto Rico where it got its name; most of its current artists are also from Puerto Rico. After its mainstream exposure in 2004, it spread to North American, European, Asian and African audiences.
Reggaeton blends Jamaican musical influences of dancehall, with those of Latin America, such as salsa, bomba, Latin hip hop, and electronica. Vocals include rapping and singing, typically in Spanish. Lyrics tend to be derived from hip hop rather than from dancehall. Like hip hop, reggaeton has caused some controversy, albeit less, due to alleged exploitation of women.
While it takes influences from hip hop and Jamaican dancehall, reggaeton is not precisely the Hispanic or Latin American version of either of these genres; reggaeton has its own specific beat and rhythm, whereas Latin hip hop is simply hip hop recorded by artists of Latino descent. The specific "riddim" that characterizes reggaeton is referred to as "Dem Bow". The name is taken from the dancehall song by Shabba Ranks that first popularized the beat in the early 1990s and that appears in his album Just Reality.
Before the music was called reggaeton, it was known as "Spanish Reggae" or Reggae en Español. Traveling along mass media circuits as well as diasporic networks, Jamaican popular music spread around the world in the 1960s and '70s. Reggae arrived in places like Panama and Puerto Rico as quickly as it reached more traditional centers of migration, such as London and New York. Panama was the first country to introduce Reggae en Español. The music eventually made its way through Central America and continued evolving and coming to prominence in Puerto Rico where it became reggaeton. Reggaeton started as an adaptation of Jamaican reggae to the Spanish language and overall culture in Panama and Puerto Rico.
Since the early 20th century when Jamaican laborers were used to help build the Panama Canal. Afro-Panamanians had been performing and recording Spanish-language reggae since the 1970s. Artists such as El General, Chichoman, Nando Boom, Renato, and Black Apache are considered the first Spanish reggae DJs from Panama. El General is often considered the father of reggae en español, blending Jamaican reggae into a Latinised version. It was common practice to translate the lyrics of Jamaican reggae song into Spanish and sing them over the original melodies, a form termed "Spanish reggae" or Reggae en Español. Meanwhile, during the 1980s the Puerto Rican rapper and reggaeton artist Vico C released Spanish-language hip hop and reggaeton records in his native island. His production of cassettes throughout the 1980s, mixing reggae and hip hop, also helped spread the early reggaeton sound, and he is widely credited with this achievement. The widespread movement of "Spanish reggae" in the Latin-American communities of the Caribbean and the urban centres of the United States help increase its popularity.
Meanwhile hip hop and reggae in Puerto Rico were on the rise due to the increased popularity of Jamaican ragga imports. Towards the middle of the decade, Puerto Ricans were producing their own "riddims" with clear influences from hip hop and other styles. These are considered the first proper reggaeton tracks, initially called "under", short for "underground". As Caribbean and African-American music gained this momentum in Puerto Rico, Reggae Rap in Spanish marked the beginning of Boricua underground rap and served as an expression for millions of young people. This created an entire invisible, yet prominent underground youth culture that sought to express themselves through Reggae Rap in Spanish. As a youth culture that exists on the fringes of society and criminal illegality, it has often been publicly criticized. The Puerto Rican police launched a raid against underground rap by confiscating cassette tapes from music stores under Penal codes of obscenity, issuing fines, and the demoralization of rappers through radio, television, and newspaper media.
The term "underground", coming out of hip hop discourse, associates underground artists as asserting a self-identification that rejects the commercialization of music. In San Juan "underground", however, it was not just about authenticity or ideology, but was literally about position in the market. "Underground" music was circulated via informal networks, copied from cassette to cassette, until the mid 1990s. DJ Playero was one of the most famous producers of "underground" at the time, releasing several underground cassettes that featured early performances of some soon-to-be-famous artists like Daddy Yankee. The basis for reggaeton was laid in Puerto Rico at this time, with the melding of Spanish reggae, with influences from fast dancehalls, hip hop and various other Latin American musical genres.
The genre morphed through the years, at various points being termed "Melaza", "música underground", and "Dem Bow". This last name originated from reggaeton's distinguishing rhythmic feature: the Dem Bow (alternately spelled dembow) beat, relying heavily on the snare drum, which is used in nearly all reggaeton songs today. This beat, or riddim, was produced under the direction of Jamaican record producer Bobby "Digital" Dixon and performed by Steely & Clevie. It first became popular in the song "Dem Bow" (They Bow) performed by Jamaican dancehall artist Shabba Ranks in 1991. The song and beat achieved greater popularity among Spanish-speaking Latin Americans when Panamanian artist El General released the song "Son Bow" in 1991, a Spanish language cover of "Dem Bow" using the same musical track. It should be pointed out that neither Shabba or El General sang reggaeton as neither the genre nor its title were as yet formed. Additionally "Dem Bow" was just a single song in Shabba's catalog, with Ranks not singing another significant song using the "Dem Bow" beat. However, the influence of the original Bobby Digital beat is undeniable, and modern reggaeton often still reflects the original instrumentation, as well as the original rhythmic structure.
THERE WAS MORE BUT I GOT BORED OF COPY+PASTING. REST IS ON THIS SITE CALLED WIKIP SOMETHING. :kenorion :kenorion2 :fornothin :sncseizure
NO, THIS IS NOT COPY+PASTED (unverified).
Reggaeton (pron.: /ˌrɛɡeɪˈtoʊn/ or UK /rɛɡeɪˈtɒn/) is an urban form of music which has its roots in Latin and Caribbean music. Its sound derives from the Reggae en Español from Panama. The genre was invented, shaped and made known in Puerto Rico where it got its name; most of its current artists are also from Puerto Rico. After its mainstream exposure in 2004, it spread to North American, European, Asian and African audiences.
Reggaeton blends Jamaican musical influences of dancehall, with those of Latin America, such as salsa, bomba, Latin hip hop, and electronica. Vocals include rapping and singing, typically in Spanish. Lyrics tend to be derived from hip hop rather than from dancehall. Like hip hop, reggaeton has caused some controversy, albeit less, due to alleged exploitation of women.
While it takes influences from hip hop and Jamaican dancehall, reggaeton is not precisely the Hispanic or Latin American version of either of these genres; reggaeton has its own specific beat and rhythm, whereas Latin hip hop is simply hip hop recorded by artists of Latino descent. The specific "riddim" that characterizes reggaeton is referred to as "Dem Bow". The name is taken from the dancehall song by Shabba Ranks that first popularized the beat in the early 1990s and that appears in his album Just Reality.
Before the music was called reggaeton, it was known as "Spanish Reggae" or Reggae en Español. Traveling along mass media circuits as well as diasporic networks, Jamaican popular music spread around the world in the 1960s and '70s. Reggae arrived in places like Panama and Puerto Rico as quickly as it reached more traditional centers of migration, such as London and New York. Panama was the first country to introduce Reggae en Español. The music eventually made its way through Central America and continued evolving and coming to prominence in Puerto Rico where it became reggaeton. Reggaeton started as an adaptation of Jamaican reggae to the Spanish language and overall culture in Panama and Puerto Rico.Since the early 20th century when Jamaican laborers were used to help build the Panama Canal. Afro-Panamanians had been performing and recording Spanish-language reggae since the 1970s. Artists such as El General, Chichoman, Nando Boom, Renato, and Black Apache are considered the first Spanish reggae DJs from Panama. El General is often considered the father of reggae en español, blending Jamaican reggae into a Latinised version. It was common practice to translate the lyrics of Jamaican reggae song into Spanish and sing them over the original melodies, a form termed "Spanish reggae" or Reggae en Español. Meanwhile, during the 1980s the Puerto Rican rapper and reggaeton artist Vico C released Spanish-language hip hop and reggaeton records in his native island. His production of cassettes throughout the 1980s, mixing reggae and hip hop, also helped spread the early reggaeton sound, and he is widely credited with this achievement. The widespread movement of "Spanish reggae" in the Latin-American communities of the Caribbean and the urban centres of the United States help increase its popularity.
Meanwhile hip hop and reggae in Puerto Rico were on the rise due to the increased popularity of Jamaican ragga imports. Towards the middle of the decade, Puerto Ricans were producing their own "riddims" with clear influences from hip hop and other styles. These are considered the first proper reggaeton tracks, initially called "under", short for "underground". As Caribbean and African-American music gained this momentum in Puerto Rico, Reggae Rap in Spanish marked the beginning of Boricua underground rap and served as an expression for millions of young people. This created an entire invisible, yet prominent underground youth culture that sought to express themselves through Reggae Rap in Spanish. As a youth culture that exists on the fringes of society and criminal illegality, it has often been publicly criticized. The Puerto Rican police launched a raid against underground rap by confiscating cassette tapes from music stores under Penal codes of obscenity, issuing fines, and the demoralization of rappers through radio, television, and newspaper media.
The term "underground", coming out of hip hop discourse, associates underground artists as asserting a self-identification that rejects the commercialization of music. In San Juan "underground", however, it was not just about authenticity or ideology, but was literally about position in the market. "Underground" music was circulated via informal networks, copied from cassette to cassette, until the mid 1990s. DJ Playero was one of the most famous producers of "underground" at the time, releasing several underground cassettes that featured early performances of some soon-to-be-famous artists like Daddy Yankee. The basis for reggaeton was laid in Puerto Rico at this time, with the melding of Spanish reggae, with influences from fast dancehalls, hip hop and various other Latin American musical genres.
The genre morphed through the years, at various points being termed "Melaza", "música underground", and "Dem Bow". This last name originated from reggaeton's distinguishing rhythmic feature: the Dem Bow (alternately spelled dembow) beat, relying heavily on the snare drum, which is used in nearly all reggaeton songs today. This beat, or riddim, was produced under the direction of Jamaican record producer Bobby "Digital" Dixon and performed by Steely & Clevie. It first became popular in the song "Dem Bow" (They Bow) performed by Jamaican dancehall artist Shabba Ranks in 1991. The song and beat achieved greater popularity among Spanish-speaking Latin Americans when Panamanian artist El General released the song "Son Bow" in 1991, a Spanish language cover of "Dem Bow" using the same musical track. It should be pointed out that neither Shabba or El General sang reggaeton as neither the genre nor its title were as yet formed. Additionally "Dem Bow" was just a single song in Shabba's catalog, with Ranks not singing another significant song using the "Dem Bow" beat. However, the influence of the original Bobby Digital beat is undeniable, and modern reggaeton often still reflects the original instrumentation, as well as the original rhythmic structure.
THERE WAS MORE BUT I GOT BORED OF COPY+PASTING. REST IS ON THIS SITE CALLED WIKIP SOMETHING. :kenorion :kenorion2 :fornothin :sncseizure
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